| Black and White films | |
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Agfa Agfapan APX 100 very fine grain very sharp focus linear contrast curve very constant sensitometric characteristics suitable for flash photography. |
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Agfa Agfapan APX 400 fine grain superb sharpness linear contrast curve not particularly good for pushing |
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Agfa Scala 200 beautiful tonality good contrast slide film can be pushed |
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Forte Budget price films range from Forte - Hungary available in 100/200/400 ASA |
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Fujifilm Neopan 100 Acros very fine grain very good sharpness wide exposure latitude |
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Fujifilm NEOPAN 400 fine grain wide exposure latitude highly resistant to static marks push- processing possible up to 6400 ISO |
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Fujifilm NEOPAN 1600 relatively fine grain for its speed excellent sharpness processing time equal to Neopan 400 can be pushed |
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Ilford Delta 100 very fine grain good sharpness not recommended for pushing to high speeds |
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Ilford Delta 400 fine grain good sharpness not recommended for pushing to high speeds |
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Ilford Delta 3200 extremely fast film excellent for action and low light at airports hand inspection is a must |
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Ilford FP4 + 125 ISO very fine grain good sharpness processing flexibility |
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Ilford HP5 + 400 ISO relatevely fine grain good contrast and sharpness versatile and inexpensive can be pushed |
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Ilford PAN F 50 ISO extremely fine grain, almost grainless high sharpness excellent for large enlargements |
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Ilford XP2 400 exceptionally fine grain for its speed high sharpness versatile C41 process |
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Kodak TRI-X 400 classic photojournalistic look wide exposure latitude can be pushed up to 2 stops versatile and flexible in processing |
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Kodak PLUS-X 125 fine grain good sharpness classic emulsion |
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Kodak TMax 100 very fine grain high resolving power allows high degree of enlargement |
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Kodak TMax 400 similar to TMax 100 but granier flexible and versatile film can be pushed, pref. only one stop |
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Kodak TMax 3200 ultra high film speed relatively fine grain considering its speed attractive grain can be pushed |
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Kodak T400 CN fine grain good contrast versatile film standard C41 processing |
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Kodak Portra 400BW very fine grain wide exposure latitude great skin tones full tonal range standard C41 processing |
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Maco UP100+ fine grain wide exposure latitude good sharpness inexpensive |
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Maco UP400+ similar to UP100+ but faster |
| Colour Negative films | |
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Agfa Portrait 160 very fine grain gentle colours natural skin tones |
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Agfa Ultra 100 very vivid colours Eye Vision Technology for increased veracity of color tone fine grain might not be suitable for portraits |
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Agfa Optima II 100/200 and 400 ISO natural color saturation sharp focus very fine gray |
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Fuji NPS 160S very fine grain daylight balanced realistic colors fluorescent light does not appear strongly green |
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Fuji NPC 160 very fine grain very high contrast vivid colours ideal for flash photography |
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Fuji Superia Reala smooth, extra-fine Grain medium contrast good color reproduction higher colur saturation than NPS versatile film |
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Fuji NPH 400 very fine Grain excellent skin tones wide exposure latitude good for pushing also available at 800 ISO |
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Fuji SUPERIA good colours medium contrast reasonably fine grain readily available and versatile more contrasty and saturated than NPS or NPH |
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Fuji PRESS 800 ultra high speed colour negative ideal for photojournalism and low light very versatile film can be pushed |
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Kodak PORTRA 160NC fine gray natural colours natural skin tones also available at 400 ISO |
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Kodak PORTRA 160VC fine gray similar to NC, slightly brighter and more saturated vivid colours also available at 400 ISO |
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Kodak PORTRA 800 ultra high speed high contrast fine grain for its speed can be pushed 1 stop |
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Kodak PORTRA 400UC daylight balanced high sharpness extra high saturation very vivid colours |
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Kodak PORTRA 100T tungsten balanced good contrast and sharpness good colour reproduction |
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Kodak SUPRA PJ100, PJ400 & PJ800 daylight balanced ideal for reportage very good for pushing |
| Trasparency films | |
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Agfachrome RSX II 100 high color saturation very fine grain superb reproduction of detail very high push capability excellent cross-processing film |
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Agfachrome RSX II 50 ultra-sharp & fine grain very good for enlargements |
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Agfachrome RSX II 200 similar to RSX II 100 suitable for movement and low light |
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Fuji VELVIA 50 ISO excellent clarity and resolution high colour saturation ideal for landscapes and macro shots |
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Fuji VELVIA 100F excellent clarity, grainless high colour saturation not to be compared to Velvia 50 |
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Fuji ASTIA 100F (RAP) complete neutral balance true colour fidelity natural rendering of skin tones good for pushing and pulling |
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Fuji PROVIA 100F vivid yet faithful color reproduction extremely fine-grain very sharp can be pushed |
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Fuji PROVIA 400F (RHP) very fine grain very good for pushing ideal for reportage and photojournalism |
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Fuji RTP (64T)
tungsten-balanced excellent sharpness and tonal fidelity high sharpness good reciprocity |
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Kodak EKTACHROME 64, 100 (EPR, EPN) normal colour saturation accurate colour rendition excellent for pushing |
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Kodak EKTACHROME 100 PLUS (EPP) extended colour saturation very fine grain good for cross-processing |
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Kodak EKTACHROME E100 G exceptionally fine grain excellent for enlargement neutral bias |
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Kodak EKTACHROME E100 GX exceptionally fine grain excellent for enlargement warm bias |
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Kodak EKTACHROME E100 VS extra vivid and saturated colour high sharpness good for pushing |
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Kodak EKTACHROME E200 moderate contrast outstanding push-processing performance superb reciprocity fast speed |
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Kodak EKTACHROME 400X high speed fine grain for its speed warm color balance ideal for photojournalism and reportage |