films

Sort by Film Type: GO

Download the latest:
+ Gomma B&W Film Guide.
+ Gomma Color Negs Film Guide
+ Gomma Transparency Film Guide
+ Gomma Cross Processing Info
+ Gomma Push+Pull Processing


Download: ilford_push_processing.pdf
Download: Kodak_Cross_Processing.pdf
Download: kodak_portra_brochure.pdf
Download: kodak_BW_brochure.pdf


Fujifilm - professional film range - link
Ilford B&W Consumer & Professional Films - link

Black and White films
Agfa Agfapan APX 100
very fine grain
very sharp focus
linear contrast curve
very constant sensitometric characteristics
suitable for flash photography.
Agfa Agfapan APX 400
fine grain
superb sharpness
linear contrast curve
not particularly good for pushing
Agfa Scala 200
beautiful tonality
good contrast
slide film
can be pushed
Forte
Budget price films range from Forte - Hungary
available in 100/200/400 ASA
Fujifilm Neopan 100 Acros
very fine grain
very good sharpness
wide exposure latitude
Fujifilm NEOPAN 400
fine grain
wide exposure latitude
highly resistant to static marks
push- processing possible up to 6400 ISO
Fujifilm NEOPAN 1600
relatively fine grain for its speed
excellent sharpness
processing time equal to Neopan 400
can be pushed
Ilford Delta 100
very fine grain
good sharpness
not recommended for pushing to high speeds
Ilford Delta 400
fine grain
good sharpness
not recommended for pushing to high speeds
Ilford Delta 3200
extremely fast film
excellent for action and low light
at airports hand inspection is a must
Ilford FP4 +
125 ISO
very fine grain
good sharpness
processing flexibility
Ilford HP5 +
400 ISO
relatevely fine grain
good contrast and sharpness
versatile and inexpensive
can be pushed
Ilford PAN F
50 ISO
extremely fine grain, almost grainless
high sharpness
excellent for large enlargements
Ilford XP2 400
exceptionally fine grain for its speed
high sharpness
versatile
C41 process
Kodak TRI-X 400
classic photojournalistic look
wide exposure latitude
can be pushed up to 2 stops
versatile and flexible in processing
Kodak PLUS-X 125
fine grain
good sharpness
classic emulsion
Kodak TMax 100
very fine grain
high resolving power
allows high degree of enlargement
Kodak TMax 400
similar to TMax 100 but granier
flexible and versatile film
can be pushed, pref. only one stop
Kodak TMax 3200
ultra high film speed
relatively fine grain considering its speed
attractive grain
can be pushed
Kodak T400 CN
fine grain
good contrast
versatile film
standard C41 processing
Kodak Portra 400BW
very fine grain
wide exposure latitude
great skin tones
full tonal range
standard C41 processing
Maco UP100+
fine grain
wide exposure latitude
good sharpness
inexpensive
Maco UP400+
similar to UP100+ but faster
Colour Negative films
Agfa Portrait 160
very fine grain
gentle colours
natural skin tones
Agfa Ultra 100
very vivid colours
Eye Vision Technology for increased veracity of color tone
fine grain
might not be suitable for portraits
Agfa Optima II
100/200 and 400 ISO
natural color saturation
sharp focus
very fine gray
Fuji NPS 160S
very fine grain
daylight balanced
realistic colors
fluorescent light does not appear
strongly green
Fuji NPC 160
very fine grain
very high contrast
vivid colours
ideal for flash photography
Fuji Superia Reala
smooth, extra-fine Grain
medium contrast
good color reproduction
higher colur saturation than NPS
versatile film
Fuji NPH 400
very fine Grain
excellent skin tones
wide exposure latitude
good for pushing
also available at 800 ISO
Fuji SUPERIA
good colours
medium contrast
reasonably fine grain
readily available and versatile
more contrasty and saturated than NPS or NPH
Fuji PRESS 800
ultra high speed colour negative
ideal for photojournalism and low light
very versatile film
can be pushed
Kodak PORTRA 160NC
fine gray
natural colours
natural skin tones
also available at 400 ISO
Kodak PORTRA 160VC
fine gray
similar to NC, slightly brighter and more saturated
vivid colours
also available at 400 ISO
Kodak PORTRA 800
ultra high speed
high contrast
fine grain for its speed
can be pushed 1 stop
Kodak PORTRA 400UC
daylight balanced
high sharpness
extra high saturation
very vivid colours
Kodak PORTRA 100T
tungsten balanced
good contrast and sharpness
good colour reproduction
Kodak SUPRA PJ100, PJ400 & PJ800
daylight balanced
ideal for reportage
very good for pushing
Trasparency films
Agfachrome RSX II 100
high color saturation
very fine grain
superb reproduction of detail
very high push capability excellent cross-processing film
Agfachrome RSX II 50
ultra-sharp & fine grain
very good for enlargements
Agfachrome RSX II 200
similar to RSX II 100
suitable for movement and low light
Fuji VELVIA
50 ISO
excellent clarity and resolution
high colour saturation
ideal for landscapes and macro shots
Fuji VELVIA 100F
excellent clarity, grainless
high colour saturation
not to be compared to Velvia 50
Fuji ASTIA 100F (RAP)
complete neutral balance
true colour fidelity
natural rendering of skin tones
good for pushing and pulling
Fuji PROVIA 100F
vivid yet faithful color reproduction
extremely fine-grain
very sharp
can be pushed
Fuji PROVIA 400F (RHP)
very fine grain
very good for pushing
ideal for reportage and photojournalism
Fuji RTP (64T) tungsten-balanced
excellent sharpness and tonal fidelity
high sharpness
good reciprocity
Kodak EKTACHROME 64, 100 (EPR, EPN)
normal colour saturation
accurate colour rendition
excellent for pushing
Kodak EKTACHROME 100 PLUS (EPP)
extended colour saturation
very fine grain
good for cross-processing
Kodak EKTACHROME E100 G
exceptionally fine grain
excellent for enlargement
neutral bias
Kodak EKTACHROME E100 GX
exceptionally fine grain
excellent for enlargement
warm bias
Kodak EKTACHROME E100 VS
extra vivid and saturated colour
high sharpness
good for pushing
Kodak EKTACHROME E200
moderate contrast
outstanding push-processing
performance
superb reciprocity
fast speed
Kodak EKTACHROME 400X
high speed
fine grain for its speed
warm color balance
ideal for photojournalism and reportage